In 2009, after 13 years as a self-employed graphic designer, I decided to abandon the professional world and go back to school — this time to pursue a field that seems related, but is an entirely separate discipline: typeface design. Read more about my journey here ...
Showing posts with label Type at Cooper 2011. Show all posts
Showing posts with label Type at Cooper 2011. Show all posts
October 25, 2012
Lena in New York
As a graduate of the Type@Cooper program I was invited to submit a specimen of my typeface Lena for an exhibition in New York. The exhibition is open to the public on October 24 through to November 17, 2012 at 41 Cooper Gallery, located at 41 Cooper Square between 6th and 7th streets. If you are in the area go check it out. More details here... Click on the image to take a closer look or here to see more of the exhibition.
August 8, 2011
Type@Cooper - Judgement Days
My amazing experience at Cooper Union included critiques from type heros Matthew Carter and Jonathan Hoefler. Here's what they had to say...
"I like that sort of gothic arch form" Matthew Carter
Me (left) receiving a class crit with Sara Soskolne—Hoefler & Frere-Jones (right) and Sumner Stone—Stone Type Foundry (sitting)
Me presenting my typeface to the Type@Cooper class
August 5, 2011
Type@Cooper - Major Project, Lena
My major project at Type@Cooper was to design a serif typeface.
I was interested in designing a slab serif so I started out exploring some design ideas using the edged pen. I liked the contrast in the stroke the pen created when moving from a vertical stroke to a horizontal stroke while drawing the 'n'. The design of the 'n' really influenced the design of the entire typeface.
Below are snapshots of the different stages in my process.
1. Rough sketches using edged pen
2. My control characters
I was interested in designing a slab serif so I started out exploring some design ideas using the edged pen. I liked the contrast in the stroke the pen created when moving from a vertical stroke to a horizontal stroke while drawing the 'n'. The design of the 'n' really influenced the design of the entire typeface.
Below are snapshots of the different stages in my process.
1. Rough sketches using edged pen
2. My control characters
3. Dummy text set using control characters
5. Lena set in mixed case and uppercase
6. Lena set 9/11
June 28, 2011
Type@Cooper - Caroligian Minuscules
My second project at Type@Cooper was to understand the history and structure of the minuscule forms. Once again I tried to replicate these forms this time using an edged pen and following letter forms written by Poggio in 1425.
June 24, 2011
Type@Cooper - Latin Majuscules
My first task at Type@Cooper was to understand the structure of Latin majuscules.
In order to understand how they were constructed I traced the skeleton of each letter form from an inscription made on a bronze tablet from the end of the second century BC. While tracing these shapes it was important to try and capture the individual characteristics and proportions of each form.
The challenge was to try to avoid the natural urge to formalise the shapes and make them what I think they should be rather than how they were constructed on the bronze tablet.
Day 1 at Cooper Union
Our first task was to setup our workstations in the studio located in the beautiful foundation building.
March 16, 2011
Type@Cooper, New York
I'm very excited to have been accepted into the typeface design summer school at Cooper Union in New York in June. Checkout Type@Cooper here. Follow my tweets from NY @7roy
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